The sonnet figures so prominently in the Petrarchan tradition that not everyone appreciates its versatility. In fact, the sonnet form lends itself to pithy treatment of any subject, in a wide variety of tones. Camões, Francisco Rodrigues Lobo, and Violante do Céu work within the Petrarchan framework in their ingenious poems, whereas "Alcipe" and Bartolomé Leonardo de Argensola exploit the sonnet’s potential for philosophical reflection. In his delightful jab at Goethe’s youthful masterpiece, Nicolai suggests that Werther’s famous sorrows were brought on by constipation, showing that the sonnet is a serviceable vehicle for humor. It is never easy to translate poetry, but the sonnet may be the most accomodating form for the translator. It is naturalized in all European languages; with a little ingenuity, the rhyme scheme and internal structure can be preserved. Moreover, we all have a good sense of how to read a sonnet, so that there are fewer cultural barriers than usual. Thus, the translator has a better than average chance of producing a readable poem in the new language that retains some of the good qualities of the original. (T)

(Or) ALCIPE (Leonor de Almeida Portugal Lorena e Lencastre, Marquesa de Alorna), [Tu, deusa tutelar da solidão...], in: SOARES AMORA, A. (ed.), Presença da Literatura Portuguesa, II: Era Clásica, São Paulo: Difusão Européia do Livro, 1974, vol. II, p. 285.
(Or) CAMÕES, L. V. de, [Busque Amor novas artes...], in: SOARES AMORA, A. (ed.), Presença da Literatura Portuguesa, II: Era Clásica, São Paulo: Difusão Européia do Livro, 1974, vol. II, p. 37.
(Or) CÉU, V. do, [Amor, se uma mudança imaginada...], in: SOARES AMORA, A. (ed.), Presença da Literatura Portuguesa, II: Era Clásica, São Paulo: Difusão Européia do Livro, 1974, vol. II, pp. 131-132.
(Or) RODRIGUES LOBO, F., [Fermoso Tejo meu...], in: SOARES AMORA, A. (ed.), Presença da Literatura Portuguesa, II: Era Clásica, São Paulo: Difusão Européia do Livro, 1974, vol. II, p. 127.
(Or) ARGENSOLA, B. L., [Yo os quiero confesar...], in: GAOS, V. (ed.), Diez siglos de poesía castellana, Madrid: Alianza Editorial, 1987, pp. 136-137.
(Or) NICOLAI, C. F., „Freuden des jungen Werthers”, in: http://gutenberg.spiegel.de/autoren/nicolai.htm.

Biografia de Leonor de Almeida, Diccionário histórico, 1904-1915, vol. I, págs. 324-326. Ed. electrónica de M. Amaral.

Obras poeticas de D. Leonor d'Almeida Portugal Lorena e Lencastre, marqueza d'Alorna, condessa d'Assumar e d'Arynhausen, conhecida pelo nome de Alcipe, Lisboa : Imp. Nacional, 1844. Biblioteca Nacional de Portugal.

Obras digitalizadas de Luis Vaz de Camões. Biblioteca Nacional de Portugal.

Milava PRAVDOVÁ, «Algumas correntes da inspiraçaõ na poesia lírica de Camões», Philologica, 71.

As eclogas de Francisco Rodrigues Lobo, Em Lxa. [i. é Lisboa] : Pedro Crasbeeck, 1605. Biblioteca Nacional de Portugal.

Sonetos de los hermanos Argensola, edición de Ramón GARCÍA GONZÁLEZ. Biblioteca Virtual Miguel de Cervantes.